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Subsequentperformances of selections at Jordan Hall (Rebekah Alexander, soprano), EastmanSchool of Music, Longy School of Music, and others, Sonnet LXXXI (2006) – soprano, piano, text by composer : 4m45s; premiered byMarissa Joy Clark (soprano) and Anthony Green (piano); repeat performances byYael Handelman, Emily Belastock, Madeline Edwards (with Qiao Zheng Goh, piano),Lori Celeste Hicks (with Marvin Mills, piano), and Iris Brill (within Alex in Transition).Song appears with slightly different words in the opera Alex in Transition, TransitionII: Alex & Amy, Chance (2004/2007) – string quartet : 7m; winner of the Honors Ensemblecompetition at New England Conservatory; premiered by the Laurel String Quartet(now separated); subsequent performances by the Providence String Quartet (venuesin Rhode Island and Massachusetts), the Eppes String Quartet (venues in Florida), thePlayground Ensemble (venues in Denver), the Apple Hill Chamber Players (venuesNew England and elsewhere), the Zukovsky String Quartet (Symphony Space, NewYork City), members of The Orchestra Unleashed (El Portal Theater, NorthHollywood, CA), Castle of our Skins (Phillips Collection, Washington D.C.), etc …. COOS Composer-in-Residence Anthony Green gives a sneak peak look at the creation of "Oh, Freedom!" Anthony R. Green, piano video: Scott Quade Castle of our Skins Roxbury Community College March 2016 1984) (composer, performer, social justice) includes musical and visual creations, interpretations of original works or works in the repertoire, collaborations, educational outreach, and more. Découvrez nos abonnements Chambres. Behind all his … Subsequent performances during the Manchester New Music MiniFestival, February 2013, the North American Saxophone Alliance Conference, March2014, and the World Sax Open 2015, July 2015; recipient of Honorable Mention inthe ASCAP Morton Gould Awards, 2 Letters of Queen Marguerite (2011) – soprano & piano, text by Marguerite de Valois,translated by Liselotte Dieckmann : 8m; commissioned by Ms. Emily Sinclair, performedat CU Boulder, March 2012, Refraction Aberrance (2010) – cello and ensemble of piano, harp, guitar (or anycombination) : 12m; premiered by Mathieu D’Ordine (cello), Anthony Green (piano), andMorgan Black (harp) at CU Boulder, December 2010, The Gettysburg Address (2010) – soprano, clarinet/bass clarinet, cello, percussion, piano,text by Abraham Lincoln : 12m; commissioned by The Playground Ensemble, premieresin Boulder and Denver, CO, April and May 2010; featured on their debut CD Dreams GoThrough Me, Encomium (2009) – SATB saxophone quartet : 5 – 7m; commissioned by the FlatironSaxes 4, premiered at the North American Saxophone Alliance conference in New Mexico,March 2010; subsequent performances at CU Boulder, April 2010; published in the2011 Anthology of Contemporary Concert Music, Scintillation II (2008) – viola and cello : 7 – 10m; commissioned by violist Ashleigh Gordonand cellist Ginevra Ventra, premiered in Boston, November 2008; subsequent performancesat ic[cm] 2010 in La Coruña, Spain by members of Grupo International Siglo XX, and recitalsat Queens College with Gregory Williams (viola) and Jenna Girone-Virgilio (cello), in NewYork City, and at the Lilypad with Ashleigh Gordon (viola) and Rob Mayes (cello); recipientof Honorable Mention in the Earplay Donald Aird Memorial Composition Competition, 3 Groups (2008) – chamber orchestra : 7 – 9m; premiered by Ossia New Music Ensembleas the winner of their Second Annual International Composition Prize, March 2009; recordedand workshopped by Alarm Will Sound, October 2008, SonikaChenzì (2007) – solo guitar : 8m; commissioned by Leo McFadden, performed atBoston University and New England Conservatory, October 2007 and April 2008, Nicht Zart II: Hommage à Scelsi (2007) – contrabass and piano : 7m; premiered by membersof the Callithumpian Consort in a masterclass with Walter Zimmermann, during the SummerInstitute of Contemporary Performance Practice (SICPP) 2007; subsequent performances byDavid Goodchild (contrabass) and Anthony Green (piano), and Łukasz Kłusek (contrabass) andArt-Oliver Simon (piano) in Leipzig and Dresden, Germany, as part of their “Works of theYoung Generation” project; published by Art-Oliver Simon Verlag, Kid Gunner Brother (2019) – 3m; recording of a performance of this work byDarian Thomas, during a residency at the Gettysburg National Military Park,sponsored by the National Park Arts Foundation. For Castle of our Skins inquiry, please contact: castleskins [@] gmail.com. Ex. Composer : Off the Board: A Studio 4 Family Compilation: Primary Artist : Lyrical Tear Drops: OpeeZyWitThaGleeZy: Composer, Producer : Luna and the Wild Blue Everything: Mat Kerekes: Vocals : Get Yours While You Can: Anthony Green: Primary Artist, Composer Composer AnthonyR.Green will share thoughts from the front lines of his social justice-minded artistic work, and on the role art can and should play in expressing the gravity, importance, complexity, or subtlety of oppressive situations - in ways that can communicate to people and inspire or effect change. meta.document.analysis.index.comment.description. Weightless for alto saxophone and piano by Anthony R. Green (2011) Duration: 8’ Recording: Soundcloud (premiere performance) Video: YouTube Purchase: Composer’s Website. AnthonyR.Green's new arrangement of Choucoune (Haitian Folk song), will be premiered at the Landmarks Dance Night, 7PM, Hatch Shell on the Esplanade, Boston, MA. He has played works by David Liptak, Berg, and You are here. October 29 2:00pm - 3:30pm Audience: Alumni, Current Student, Faculty, Neighbor or Friend, Prospective Student, Staff. The creative output of Anthony R. Green (composer, performer, social justice) includes musical and visual creations, interpretations of original, contemporary, and repertoire works, collaborations, educational outreach, and more. Votre agent commercial Michot Anthony Rsac 535.156.764 Cette annonce vous est proposée par Michot Anthony, NoRSAC: , Enregistré au Greffe du tribunal de commerce de Agen Caractéristiques principales. As a pianist, he has performed at Jordan Hall and Symphony Hall in Boston, MA, performed solo, chamber, and orchestral pieces of colleagues, and personally worked with composers David Liptak, Theodore Antoniou, George Crumb, and Steve Reich for performances of their works. Il est formé en 2003 par les guitaristes Beau Aiden Burchell Anderson et Justin Shekoski et le chanteur Anthony Green. 4 talking about this. Anthony Green, Composer: Peaky Blinders. His solo and colaborative work has been recognized by grants from Meet the Composer, the Argosy Foundation, New Music USA, and the American Composers Forum as a McKnight Visiting Composer. Anthony Green . Behind all of his artistic endeavors are the ideals of equality and freedom, which manifest themselves in diverse ways in a composition, a performance, a … 7" Single on 45cat: Anthony Green And Barry Stagg - To Love Means To Be Free / If Ever - United Artists - USA - UA 50663 Notes: Premiered by Benjamin Sorrell and Anthony Green as a part of the Pendulum New Music Series at CU Boulder, December 2011. Through music and entrepreneurship, Green comments on many issues related to social justice, including immigration (Earned - narrator & double string quartet), civil rights (Dona Nobis Veritatem - soprano, viola, & piano), the historical links between slavery and current racial injustice in the US (Oh, Freedom! Puis, la formation californienne de Newport Beach recrute quelques mois après le bassiste Chris Sorensen et le batteur Alex Rodriguez. As a composer, his works have been presented in over 20 countries by Gabriela Díaz (violin), Wendy Richman (viola), Ashleigh Gordon (viola), Gregory Williams (viola), Hayk Melikyan (piano), Eunmi Ko (piano), Amanda DeBoer Bartlett (soprano), ALEA III (conducted by Gunther Schuller), The Playground Ensemble, Transient Canvas, Ossia New Music Ensemble, Access Contemporary Music, counter)induction, BLY, NOISE-BRIDGE, Tenth Intervention, Chartreuse, and Alarm Will Sound, to name a few. Sonnet LXXXI (2006) – soprano, piano, text by composer : 4m45s; premiered by Marissa Joy Clark (soprano) and Anthony Green (piano); repeat performances by Yael Handelman, Emily Belastock, Madeline Edwards (with Qiao Zheng Goh, piano), Lori Celeste Hicks (with Marvin Mills, piano), and Iris Brill (within Alex in Transition). ( tip: use ctrl+f or any search page command to find works with specificinstruments/instrumentations. Edward Anthony Green (born September 22, 1956) a.k.a. The creative output of AnthonyR.Green (composer, performer, social justice) includes musical and visual creations, interpretations of original works or works in the repertoire, collaborations, educational outreach, and more. Anthony Green (b. Working at Bemis, 2017Photo by Colin Conces. Thibault makes the most of restricted means, and gives Dubois’s jagged, multi-character text (wich culminates in a meeting of Stalin and Santa Claus) a surprisingly lyrical form. Behind all of his artistic endeavors are the ideals of equality and freedom, which manifest themselves in diverse ways in a composition, a performance, a collaboration, or social justice work. during Gaudeamus Muziekweek 2016, P is for … (2016) – solo voice : 1m; commissioned in celebration of ThePlayground’s 10th season with a gift from Alix and John Corboy. This opera has been featured in the Ft. Worth Opera Frontiers  Festival, presented by New Fangled Opera and One Ounce Opera, and performed in a concert production at the Israel Conservatory of Music in Tel Aviv. Performances by Anthony R. Green and Carl Alexander in theUS, Germany, Turkey, and Switzerland, A Single Voice: Solitary, Unified (2017) – solo alto sax, fixed media audio, projections :5 - 20m; commissioned by an 11-member consortium led by Neal Postma, Almost Over (2017) – SATB sax quartet : 7m; commissioned by the Keuris Quartet forperformances in the 2017 Grachten Festival (Amsterdam, the Netherlands) and the 2017Gaudeamus Muziekweek (Utrecht, the Netherlands), Peaks (2008/2013/2017) – orchestra (various instrumentation, including optional sax) :7 – 9m; orchestral version of 3 Groups, premiered by the NC Governor’s SchoolOrchestra (Orlando Cela, conductor), Winston-Salem, NC, July 2017, (em)brace or what my cell phone has a tendency to do to me (2017) – 2 performers :6 – 20m; commissioned by mobius/circuit bridges, premiered at Judson Church inNew York City, June 2017, second performance at Green St. Studios, Boston, MA,June 2017, Collide-oscope IV (2016) – violin, viola/voice : 5m45s; selected for a premiereperformance with the Boston Microtonal Society, performed by Gabriella Diaz (violin)and Wendy Richman (viola/voice), Collide-oscope III (2016) – oboe, clarinet in B-flat, bassoon : 14m15s; honourablemention, 37th Young Composer Competition for the Frederic Mompou InternationalAward, organized by Joventuts Musicals de Barcelona, Collide-oscope II (2016) – string trio : 10m30s; premiered by counter)induction, withsubsequent performances by Desdemona & Chartruese in NYC and the Twin Cities, Collide-oscope I (2016) – flute, clarinet in B-flat, violin : 5m; selected for areading with Oerknal! Premiered byMegan Buness, March 2016, subsequent performances by Amanda DeBoer Bartlett, Verbinding ~ 32 apophthegms inspired by the Goldberg Variations (2015) – altosaxophone, piano : 13m; commissioned by Neal Posthma, premiered at the WorldSax Open 2015, Strasbourg, France, July 2015, by Neal Postma and AnthonyGreen; second performance at International Saxophone Symposium, Winchester,VA, January 2016, t(h)rees (2015) – alto trombone, tenor trombone, tuba : 6m45s; premiered at theDruskomanija 2015 festival in Vilnius and Druskininkai, Lithuania, for the BrassyVuvuzela concerts, [(s)(w)(2e)] / [(j)-(m)(b)] / [(f)(t)(c)] (Scintillation III) (2015) – bass-clarinet, marimba :11m; commissioned by Transient Canvas, premiered at Third Life Studios’ OpenSound (Somerville, MA), April 2015, Fanatic (2015) – solo piano : 8m30s; commissioned by pianist Amanda Setlik,premiered at CU Boulder, April 2015; second performance by Hayk Melikyan inYerevan, Armenia, March 2016; subsequent performances in Italy, Greece, andthe US by Eunmi Ko, … heen en weer … (2015) – string trio : 13m30s; commissioned by SoundEnergy, premiered at Clark University (Worcester, MA), March 2015; selected forEXPLORE! Behind all his … He was previously in the bands Audience of One, Jeer at Rome, High and Driving, and Zolof the Rock and Roll Destroyer. Category for composers whose works are predominantly of the light music genre, although may also include more "serious" composers whose oeuvre has significantly crossed over into the … No information about this composer is available. Presentedwithout audio for the Forever Now curatorial project in Federation Square (Melbourne,Australia; September – November 2014), without video on Radiophrenia (April 2015), andin whole at MUSLAB 2014 in Mexico City, Mexico (October 2014) and at the xMVscreening and competition in New York City (April 2015), MONMA (2009) – improv voice and fixed media audio : 36m51s; realization of a graphicscore to The Metaphysics of Notation by Mark Applebaum; performed at the Cantor ArtsCenter at Stanford University, Palo Alto, California (October 2009); a selection of theperformance is featured on the DVD released through Innova, Glisten (2009) – tuba and SuperCollider : 11m07s; created at CRuNCh Lab at theUniversity of Colorado at Boulder; premiered at the University of Colorado at Boulder(May 2009), Flecks of luminescence (2008) – created at CRuNCh Lab at the University of Coloradoat Boulder : 10m11; diffused at the University of Colorado at Boulder (2008), Esta CasaEsta Sonada project in Maracaibo, Venezuela (March 2010), the Annual World ListeningRoom Project at Cal State Fullerton (February – March 2013), and SPECTRA 2016 at theMalaysia Music Technology Festival in Kuala Lumpur (October 2016), What Almost Happened (2008) – created at CRuNCh Lab at the University ofColorado at Boulder : 4m43s; diffused at the University of Colorado at Boulder (2008),broadcast on KGNU’s Present Edge show in Boulder, CO (March 2009), diffused atZeppelin 2009: Sounds of Power / Listening of Fear in Barcelona, Spain (December), To Anacreon in the US (2019) – solo piano : 5m; commissioned by Victor Rosenbaum,premiered by Aristo Sham, A Series of Harmonies (2018) – open ensemble : various durations; commissionedby Nathan Matthews of To Be Sure for a consortium featuring 4 other composers, Mr. Brewster’s Invigorating Inventions (2018) – opera, soprano, mezzo, baritone,piano : 35m; winner of the Zepick Modern Opera Prize, organized by Opera Kansas(August 2018, premiere). 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